Criticism

This is a preliminary list of critical articles about or related to afrofuturism.  At the moment it’s simply alphabetical, but I’m working on a bibliography plugin that will allow me to categorize the listings in a more useful order, and also to annotate them.  Many citations are still missing (perhaps to your own work!) so feel free to email me at “afrofuturist.net at gmail dot com” and let me know what I should add.

Adejumo, A. (1989). “An African utopia: Fatoman’s dream in Camara Laye’s Dramouss.” Neohelicon 16(2): 201-210.
Administration, E. a. S. and N. T. a. I. Administration (2000). Falling through the Net: Toward Digital Inclusion: A Report on Americans’ Access to Technology Tools, U.S. Department of Commerce.
Albiez, S. (2005). “Post-soul futurama: African American cultural politics and early Detroit techno.” European Journal of American Culture 24(2): 131-152.
Alexander, G., M. Van Wyk, et al. (2009). “Legitimate Peripheral Participation (LPP)-The case for Recognition of Prior Learning sites and knowledges in South Africa’s transforming education system.” Teaching and Teacher Education.
Alkalimat, A. (2001). “eBlack: a 21st Century Challenge.” Mots Pluriels(19 / October).
Alkalimat, A. and K. Williams (2001). A Case Study of a Community Technology Centre in the Dual City. Community Informatics: Shaping Computer-Mediated Social Relations. L. Keeble and B. Loader. New York, Routledge: 177-207.
Allen, M. D. (2009). “Butler’s Parable Novels and the ‘Boomerang’ of African American History.” Callaloo 32(4): 1353-1365.
Alvarez, L. and D. Widener (2008). “A History of Black and Brown: Chicana/African American Cultural and Political Relations.” Aztl·n: A Journal of Chicano Studies 33(1): 143-154.
Antoine-Dunne, J. (2003). “Time and Space in Their Indissoluble Connection: Towards an Audio-Visual Caribbean Aesthetic.” Critical Studies 21(1): 125-152.
Aparicio, F. (1998). Listening to salsa: Gender, Latin popular music, and Puerto Rican cultures, Wesleyan Univ Pr.
Apter, E. (1998). “Untranslatable Algeria.” Parallax 4(2): 47-59.
Apter, E. (1999). Continental drift: From national characters to virtual subjects. Chicago, University Of Chicago Press.
Ashcroft, B., G. Griffiths, et al. (2007). Post-colonial studies: The key concepts, Routledge.
Ashton, D. (2007). “Games for Change: A Cultural studies and social impact gaming dialogue.” Cultural Studies Now Journal 2007.
Attebery, B. (2002). Decoding gender in science fiction, Routledge.
Auner, J. (2003). “”Sing it for Me”: Posthuman Ventriloquism in Recent Popular Music.” Journal of the Royal Musical Association 128(1): 98-122.
Bahng, A. (2006). “Queering The Matrix: Hacking the Digital Divide and Slashing into the Future.” Critical Studies 29(1): 167-192.
Baker, H. (1993). Black studies, rap, and the academy, University of Chicago Press.
Baker, H. (2001). Critical memory: public spheres, African American writing, and Black fathers and sons in America, Univ of Georgia Pr.
Baker Jr, H. (1990). “Handling” Crisis”: Great Books, Rap Music, and the End of Western Homogeneity (Reflections on the Humanities in America).” Callaloo 13(2): 173-194.
Baker, L. (2008). “Review Essay: Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal.” Souls 10(2): 187-189.
Balogun, F. (1984). “Characteristics of Absurdist African Literature: Taban lo Liyong’s Fixions-A Study in the Absurd.” African Studies Review 27(1): 41-55.
Barber, J. T. (2006). The Black Digital Elite: African American Leaders of the Information Revolution, Greenwood Publishing Group.
Barile, L. (2001). “Octavia E. Butler’s Imago: A Science Fictional Journey Through Postmodernism.”
Barr, M. (2000). Future females, the next generation: new voices and velocities in feminist science fiction criticism, Rowman & Littlefield Pub Inc.
Barr, M. (2008). Afro-Future Females, the Ohio state university press.
Barrett, S. (1977). The rise and fall of an African utopia: a wealthy theocracy in comparative perspective, Wilfrid Laurier Univ. Press.
Battle, S. and R. O. Harris (1996). The African American Resource Guide to the Internet and Online Services. New York, McGraw-Hill.
Bell, J. (1984). A Charles R. Saunders Interview, School of Education, Indiana State University.
Ben-Tov, S. (1995). The artificial paradise: science fiction and American reality, Univ of Michigan Pr.
Bennett, M. (2006). “The adoxic adventures of John Henry in the 21st century.” Socialism and Democracy 20(3): 245-258.
Berger, M. (1995). Race in Cyberspace? WIRED.
Bernardi, D. (1997). “” Star Trek” in the 1960s: Liberal-Humanism and the Production of Race.” Science Fiction Studies 24(2): 209-225.
Bianco, J. (2005). “New media and technoscience fictions: Affect, speed, and control.”
Bishop, A. P., I. Bazzell, et al. (2001). Afya: Social and digital technologies that reach across the digital divide. First Monday. 6.
Blair, K., R. Gajjala, et al. (2009). Cyberfeminist practice: communities, pedagogies, and social actin, Hampton Press.
Boellstorff, T. (2008). Coming of age in Second Life: An anthropologist explores the virtually human, Princeton Univ Pr.
Booker, M. (1995). “African Literature and the world system: Dystopian fiction, collective experience, and the postcolonial condition.” Research in African Literatures 26(4): 58-75.
Booker, M. (2001). Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946-1964, Praeger Pub Text.
Bould, M. (2004). “The Boom Is Dead. Long Live the Boom.” Science Fiction Studies 31(3): 497-497.
Bould, M. (2007). “The Ships Landed Long Ago: Afrofuturism and Black SF.” Science Fiction Studies 34(2): 177.
Bould, M. (2007). “Come Alive by Saying No: An Introduction to Black Power SF.” Science Fiction Studies 34(2): 220-240.
Bowles, N. (2008). ” My Music is Words”: The Poetics of Sun Ra, Virginia Polytechnic Institute and State University.
Boyle, E. (2009). “Vanishing bodies: “race” and technology in Nalo Hopkinson’s Midnight robber.” African Identities 7(2): 177-191.
Brathwaite, E. (1990). “History, the Caribbean Writer and X/Self.” Crisis and Creativity in the New Literatures in English: 23-47.
Brathwaite, K. (1974). Caribbean Man in Space and Time: A Bibliographical and Conceptual Approach. Austin, TX, Savacou Publications.
Brian, W. (2008). “Echographies from my life in the bush of ghosts.” Angelaki 13(1): 85-94.
Brock, A. (2008). “Race Matters: African Americans On the Web Following Hurricane Katrina.”
Broderick, D. (1995). Reading by starlight: postmodern science fiction, Routledge.
Broomer, S. (2009). Time and Anthony Braxton, Mercury Press.
Brown, N. (2005). Utopian generations: the political horizon of twentieth-century literature, Princeton Univ Pr.
Brown, S. (1995). The Art of Kamau Brathwaite, Seren Books/Poetry Wales Pr Ltd.
Bugg, J. (2006). “The Other Interesting Narrative: Olaudah Equiano’s Public Book Tour.” PMLA 121(5): 1424-1442.
Bukatman, S. (1993). Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham, NC, Duke University Press.
Butler, O., M. Mehaffy, et al. (2001). “” Radio Imagination”: Octavia Butler on the Poetics of Narrative Embodiment.” Melus 26(1): 45-76.
Byrne, D. (2004). “Science Fiction in South Africa.” PMLA: 522-525.
Byrne, D. (2007). “Public discourse, community concerns, and civic engagement: Exploring Black Social Networking Traditions on BlackPlanet. com.” Journal of Computer Mediated Communication 13(1): 319.
Cameron, K. (1994). Africa on film: beyond black and white, Continuum Intl Pub Group.
Campbell, J. (1982). Grammatical man: Information, entropy, language, and life. New York, Simon & Schuster.
Canavan, G., F. Jameson, et al. (2009). “Research Field: Science Fiction, Modernity, and Empire.”
Carroll, S. (2008). “The Practical Politics of Step-Stealing and Textual Poaching: YouTube, Audio-Visual Media and Contemporary Swing Dancers Online.” Convergence 14(2): 183.
Carstens, D. and M. Roberts (2009). “Protocols for experiments in African science fiction.” Scrutiny2 14(1): 79-94.
Carter, V. K. (2000). Computer-Assisted Racsim: Toward an Understanding of “Cyberwhiteness”. White reign: deploying whiteness in America. J. L. Kincheloe. New York, Palgrave Macmillan: 270-283.
Case, S. (2006). Performing science and the virtual, Routledge.
Case, S.-E. (1997). The domain-matrix: Performing lesbian at the end of print culture. Bloomington, IN, Indiana University Press.
Catanese, B. W. (2005). “How Do I Rent A Negro? Racialized Subjectivity and Digital Performance Art.” Theatre Journal 57(4).
Chang, J. and D. Herc (2006). Can’t stop won’t stop: a history of the hip-hop generation, Picador USA.
Chapman, D. (2008). “That Ill, Tight Sound: Telepresence and Biopolitics in Post-Timbaland Rap Production.” Journal for American Music 2(2): 155-175.
Chow-White, P. (2006). “Race, gender and sex on the net: semantic networks of selling and storytelling sex tourism.” Media, Culture & Society 28(6): 883.
Chow-White, P. (2007). The informationalization of race: Communication technologies and genomics in the information age, University of Southern California.
Chude-Sokei, Louis. (2010). “Invisible Missive Magnetic Juju: On African Cyber-Crime,” Fanzine.
Chude-Sokei, Louis. (2008). “Review: Dub: Soundscapes and Shattered Songs in Jamaican Reggae. By Michael E. Veal. Middletown, Conn.: Wesleyan University Press, 2007.” Journal of the Society for American Music 2(02): 255-258.
Cloete, E. (2009). “Ecofutures in Africa: Jenny Robson’s Savannah 2116 AD.” Children’s Literature in Education 40(1): 46-58.
Cole, S. A. (1997). Do Androids Pulverize Tiger Bones to Use as Aphrodisiacs. Changing Life: Genomes, Ecologies, Buddies, Commodities. P. J. Taylor, S. E. Halfon and P. N. Edwards. Minneapolis, MN, University of Minnesota Press: 175-195.
Collins, S. (2008). All tomorrow’s cultures: anthropological engagements with the future, Berghahn Books.
Compton, W. (2004). Performance Bond, Arsenal Pulp Pr Ltd.
Cooper, B. (1998). Magical realism in West African fiction: seeing with a third eye, Routledge.
Cooper, B. (2008). “Diaspora, gender and identity: Twinning in three diasporic novels.” English Academy Review 25(1): 51-65.
Cooper, C. (1995). Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican Popular Cutlure. Durham, NC, Duke University Press.
Corbett, J. (1994). “Brothers from Another Planet. The Space Madness of Lee ‘Scratch’ Perry, Sun Ra, and George Clinton.” Extended Play: Sounding Off from John Cage to Dr. Funkenstein. Durham: Duke UP: 7-24.
Corbett, J. (1994). Extended play: sounding off from John Cage to Dr. Funkenstein, Duke Univ Pr.
Corbett, J., A. Elms, et al. (2007). Pathways to unknown worlds: Sun-Ra, El Saturn and Chicago’s Afro-futurist underground 1954-68, Whitewalls Inc.
Corcoran, M. G. (2003). “The Gallbladder Sonata: Transmission Time.” Leonardo Music Journal 13: 74-74.
Corcos, C., I. Corcos, et al. (1998). “Double-Take: A Second Look at Cloning, Science Fiction and Law.” La. L. Rev. 59: 1041.
Cornea, C. (2007). Science fiction cinema: between fantasy and reality, Edinburgh University Press.
Cubitt, S. (1999). “Keith Piper: After resistance, beyond destiny.” Third Text 13(47): 77-86.
Culture, V. (2007). “May I Invade Your Space?” AfroGEEKS: beyond the digital divide: 113.
D, C., Y. Jah, et al. (1997). Fight the Power, Delacorte Press.
Dalleo, R. (2004). “Another “Our America”: Rooting a Caribbean Aesthetic in the Work of José Martí, Kamau Brathwaite and Edouard Glissant.” Anthurium 2(2).
Dalleo, R. (2004). “Emplotting Postcoloniality: Usable Pasts, Possible Futures, and the Relentless Present.” Diaspora 13(1): 129ñ140.
Danziger, K. (1963). “Ideology and utopia in South Africa: A methodological contribution to the sociology of knowledge.” British Journal of Sociology 14(1): 59-76.
Daspit, T. (1999). “Rap pedagogies “ìBring (ing) the noise” of “knowledge born on the microphone: to radical education.” Popular culture and critical pedagogy: Reading, constructing, connecting: 163-182.
Dauterich IV, E. (2006). Violence and the ideology/utopia dialectic in Wright, Petry, Ellison, and Hurston, KENT STATE UNIVERSITY.
Davis, E. (2004). TechGnosis: myth, magic + mysticism in the age of information, Serpant’s Tail.
de Jong, A. and M. Schuilenburg (2006). Mediapolis: Popular Culture and the City, 010 Publishers.
Delany, S. R. (1988). The Motion of Light in Water: Sex and Science Fiction Writing in the East Village, 1960-1965, Masquerade Books.
Delany, S. R. (1994). Silent interviews: on language, race, sex, science fiction, and some comics: a collection of written interviews, Wesleyan Univ Pr.
Delany, S. R. (1996). Longer Views: Extended Essays. Middletown, CT, Wesleyan University Press.
Delany, S. R. (1997). Heavenly Breakfast, an Essay on the Winter of Love, Bamberger Books.
Delany, S.R. (1998). “Racism & Science Fiction,” New York Review of Science Fiction 120 (August 1998), also in Sheree Thomas, ed., Dark Matter, New York, Warner Books (2000).
Delany, S. R. (1999). Shorter Views: Queer Thoughts & the Politics of the Paraliterary. Middletown, CT, Wesleyan University Press.
Delany, S. R. (2009). The jewel-hinged jaw: notes on the language of science fiction, Wesleyan Univ Pr.
Delany, S. R. and T. M. Disch (1978). The American Shore: Meditations on a Tale of Science Fiction, Dragon Press / Ultramarine.
Dery, M. (1993). Black to the Future: Afro-Futurism 1.0.
Dery, M. (1994). Flame Wars: The Discourse of Cyberculture. Durham, NC, Duke University Press.
Dery, M. (2007). “Wired Man’s Burden The Incredible Whiteness of Being Digital.” AfroGEEKS: beyond the digital divide: 29.
Dick, B. (1995). Conversations with Ishmael Reed. Biloxi, MS, University Press of Mississippi.
Disch, T. (2000). The dreams our stuff is made of: how science fiction conquered the world, Free Press.
Disch, T. M. (1998). The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World. New York, Free Press.
Dodson, D. (1997). “” We Lived in the Blank White Spaces”: Rewriting the Paradigm of Denial in Atwood’s’ The Handmaid’s Tale.” Utopian Studies 8(2).
Doerksen, T. (1997). “Octavia E. Butler: Parables of Race and Difference.” CONTRIBUTIONS TO THE STUDY OF SCIENCE FICTION AND FANTASY 74: 21-34.
Donawerth, J. (1997). Frankenstein’s daughters: women writing science fiction, Syracuse Univ Pr.
Du Bois, W. E. B. (2007). The Souls of Black Folk. New York, Oxford University Press.
Dubey, M. (1999). “Folk and Urban Communities in African-American Women’s Fiction: Octavia Butler’s Parable of the Sower.” Studies in American Fiction 27(1).
Duesberg, P. and B. Ellison (1990). “Is the AIDS Virus a Science Fiction?” Policy Review 53: 40-51.
Dunbar-Hester, C. (2009). “‘Free the spectrum!’Activist encounters with old and new media technology.” New Media & Society 11(1-2): 221.
Dunbar-Hester, C. (2010). “Beyond “Dudecore”? Challenging Gendered and “Raced” Technologies Through Media Activism.” Journal of Broadcasting & Electronic Media 54(1): 121-135.
Durrant, P. and E. Kennedy (2007). “Sonic Sport: Sound Art in Leisure Research.” Leisure Sciences 29(2): 181-194.
Edwards, B. (2008). “Review Essay: Pathways to Unknown Worlds: Sun Ra, El Saturn and Chicago’s Afro-Futurist Underground, 1954. Edited by John Corbett, Anthony Elms, and Terri Kapsalis. Chicago: WhiteWalls, 2006. The Wisdom of Sun Ra: Sun Ra’s Polemical Broadsheets and Streetcorner Leaflets. Edited by John Corbett. Chicago: WhiteWalls, 2006.” Journal of the Society for American Music 2(02): 258-265.
Eglash, R. (2002). “Race, sex, and nerds: From black geeks to Asian American hipsters.” Social Text 20(2 71): 49.
Eglash, R. (2002). Afrofuturism, Duke University Press.
Eglash, R. (2002). “A Two-way bridge across the digital divide.” The Chronicle of Higher Education 48: 41.
Eglash, R. (2009). “Oppositional Technophilia.” Social Epistemology 23(1): 79-86.
Eglash, R. and J. Bleecker (2001). “The race for cyberspace: Information technology in the black diaspora.” Science as Culture 10(3): 353-374.
Ensslin, A. (2007). Black and White: Language ideologies in computer game discourse, Language in the Media Conference, Leeds, 3-5 September 2007.
Enteen, J. (2007). “”On the Receiving End of the Colonization”: Nalo Hopkinson’s’ Nansi Web.” Science Fiction Studies 34(2): 262.
Eshun, K. (1998). More Brilliant Than the Sun: Adventures in Sonic Fiction, Quartet Books.
Eshun, K. (2003). “Further considerations on Afrofuturism.” CR: The New Centennial Review 3(2): 287-302.
Eshun, K. and A. Sagar (2007). The Ghosts of Songs: The Film Art of the Black Audio Film Collective, 1982-1998. Liverpool, Liverpool University Press.
Everett, A. (2005). “Serious play: Playing with race in contemporary gaming culture.” Handbook of computer game studies: 312-325.
Everett, A., ed. and A. J. Wallace (2007). AfroGEEKS: Beyond the Digital Divide, Center for Black Studies, University of California at Santa Barbara.
Everett, A. and S. Watkins (2007). “The power of play: The portrayal and performance of race in video games.” The John D. and Catherine T. MacArthur Foundation Series on Digital Media and Learning: 141-164.
Fabi, M. (2001). Passing and the rise of the African American novel, Univ of Illinois Pr.
Fay, J., M. Tratner, et al. (2008). “Dead Subjectivity: White Zombie, Black Baghdad.” CR: The New Centennial Review 8(1): 81-101.
Fernandes, J. (2002). “Postcolonial migrancy and the impossibility of the nation.”
Fink, R. (2005). “The story of ORCH5, or, the classical ghost in the hip-hop machine.” Popular Music 24(03): 339-356.
Fleetwood, N. (2004). “Visible Seams: Gender, Race, Technology, and the Media Art of Fatimah Tuggar.” Signs: Journal of Women in Culture and Society 30(1).
Fleetwood, N. (2005). “Mediating Youth: Community-Based Video Production and the Poltics of Race and Authenticity.” Social Text 23(1 82): 83.
Fleetwood, N. (2007). “Are We There Yet? Yearnings for a Discursive Shift in Black Cultural Studies.” American Quarterly 59(4): 1269.
Ford, P. (2008). “Taboo: Time and Belief in Exotica.” Representations(Summer): 107-135.
Foster, T. (1997). “”Trapped by the Body”? Telepresence Technologies and Transgendered Performance in Feminist and Lesbian Rewritings of Cyberpunk Fiction.” Modern Fiction Studies 43: 708-744.
Fouché, R. (2006). “Say it loud, I’m black and I’m proud: African Americans, American artifactual culture, and black vernacular technological creativity.” American Quarterly 58(3): 639ñ661.
Freedman, C. (2004). “Racing Delany.” Science Fiction Studies 31(3): 476-479.
Freeman, E. (2007). “Introduction: Queer Temporalities.” GLQ: A Journal of Lesbian and Gay Studies 13(2/3): 159-176.
Gaiter, L. (1997). “Is the Web Too Cool for Blacks?”   Retrieved 04/01/2010, 2010, from http://www.salon.com/june97/21st/cool970605.html.
Gajjala, R. (2004). Cyber selves: feminist ethnographies of South Asian women, Rowman Altamira.
Gajjala, R. and V. Gajjala (2008). South Asian Technospaces, Peter Lang.
Galli, C. (2009). “Hip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity.” Honors Projects Overview: 18.
Gates, H. L. (1989). The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York, Oxford University Press.
Gates, H. L. (1989). Figures in Black: Words, Signs, and the “Racial” Self. New York, Oxford University Press.
Gay Jr, L. (1998). “Acting up, talking tech: New York rock musicians and their metaphors of technology.” Ethnomusicology 42(1): 81-98.
Gehiere, B. (2001). “Listening to Anaphoria: A Note on Utopian Music by Kraig Grady and Banaphshu (Anaphoria: The Creation of the Worlds, Music from the Island of Anaphoria, from the Interiors of Anaphoria).” Science Fiction Studies 28(3): 470-475.
Georgiadou, A. and D. Larmour (1998). Lucian’s science fiction novel, True histories: interpretation and commentary, Brill Academic Pub.
Gibson, W. (2000). Neuromancer. New York, Ace Trade.
Gilbert, J. (2009). “The Hardcore Continuum?” Dancecult: Journal of Electronic Dance Music Culture 1(1).
Gilroy, P. (1993). The Black Atlantic: Modernity and Double-Consciousness. Cambridge, MA, Harvard University Press.
Gilroy, P. (2010). Darker Than Blue: On the Moral Economies of Black Atlantic Culture, Belknap Press.
Gilson-Ellis, J. (2001). “Loa and behold: voice ghosts in the new technoculture.” Digital Creativity 12(2): 77-88.
Gómez-Peña, G. (2000). Dangerous Border Crossers: The Artist Talks Back. New York, Routledge.
Gómez-Peña, G. and E. Peña (2005). Ethno-techno: writings on performance, activism, and pedagogy. New York, Routledge.
González, J. (2009). “The Face and the Public: Race, Secrecy and Digital Art Practice.”  24(1): 37-65.
Goodman, S. (2009). Sonic Warfare: Sound, Affect, and the Ecology of Fear, Mit Pr.
Gopinath, S. (2005). Ringtones, or the auditory logic of globalization. First Monday. 10.
Gordon, J. (2005). “Review Essay: Ad Astra Per Aspera. Review of Douglas Kilgore De Wit, Astrofuturism: Science, Race, and Visions of Utopia in Space.” Science-fiction Studies 32: 495.
Govan, S. (1984). Connections, Links, and Extended Networks: Patterns in Octavia Butler’s Science Fiction, School of Education, Indiana State University.
Graves, R. (2009). The Art of Heterotopian Rhetoric: A Theory of Science Fiction as Rhetorical Discourse, Bowling Green State University.
Grayson, S. M. (2003). Visions of the third millennium : Black science fiction novelists write the future. Trenton, NJ, Africa World Press.
Green, M. E. (1994). There Goes the Neighborhood: Octavia Butler’s Demand for Diversity in Utopias. Utopian and Science Fiction by Women: Worlds of Difference. J. Donawerth and C. Kolmerten. Syracuse, NY, Syracuse University Press: 166-189.
Greer, O. J. (2009). “Yes We Can:(President) Barack Obama and Afrofuturism.” Anamesa: An Interdisciplinary Journal 7.
Grewe-Volpp, C. (2003). Octavia Butler and the Nature/Culture Divide: An Ecofeminist Approach to the Xenogenesis Trilogy. Restoring the Connection to the Natural World: Essays on the African Environmental Imagination. S. Mayer. Munster, Germany, Lit Verlag: 149-174.
Guins, R. (2007). “Hip-Hop 2.0.” The John D. and Catherine T. MacArthur Foundation Series on Digital Media and Learning: 63-80.
Hacker, S., D. Smith, et al. (1990). ” Doing it the hard way”: Investigations of Gender and Technology. Boston, Unwin Hyman.
Hall, M. (1998). Africa Connected. First Monday. 3.
Hampton, G. and W. Brooks (2003). “Octavia Butler and Virginia Hamilton: Black Women Writers and Science Fiction.” English Journal 92(6): 70-74.
Hanson, M. (2008). “Suppose James Brown read Fanon: the Black Arts Movement, cultural nationalism and the failure of popular musical praxis.” Popular Music 27(03): 341-365.
Haraway, D. and A. Manifesto (2000). “Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” The cybercultures reader: 291.
Harris, W. (1995). History, Fable and Myth in the Caribbean and Guianas, Calaloux Publications.
Harris, W. (1999). Selected Essays of Wilson Harris. New York, Routledge.
Hartig, A. (2005). “Literary Landscaping: Re-reading the Politics of Places in Late Nineteenth-Century Regional and Utopian Literature.”
Hassler, D. (2004). “Planet Conjunctions.” Science Fiction Studies 31(3): 497-497.
Hayward, P. (1999). “Inter-Planetary Soundclash.” Convergence: The International Journal of Research into New Media Technologies 5(1): 47-58.
Hayward, P. (2004). Off the planet: music, sound and science fiction cinema. London
Bloomington, IN, John Libbey ;
Distributed in North America by Indiana University Press.
Heffley, M. (2008). “O For a Thousand Tongues to Sing: Anthony Braxton’s Speculative Musics.”  2(2): 203-233.
Helmreich, S. (2007). “Induction, deduction, abduction, and the logics of race and kinship.” American Ethnologist 34(2): 230.
Helstern, L. (2000). “Sycorax Video Style: Kamau Brathwaite’s Middle Passages.” African images: recent studies and text in cinema: 139.
Hemmer, K. (1998). “Look Who’s Listenin’: Rap, Black Culture, and the Academy.” Melus 23(3).
Henriques, J. (2008). “Sonic diaspora, vibrations, and rhythm: thinking through the sounding of the Jamaican dancehall session.” African and Black Diaspora: An International Journal 1(2): 215-236.
Higgin, T. (2008). “Blackless Fantasy: The Disappearance of Race in Massively Multiplayer Online Role-Playing Games.” Games and Culture.
Hitchcott, N. (2001). “Continental Drift: From National Characters to Virtual Subjects.” The Modern Language Review 96(1): 214-214.
Hjelm, S. (2003). “The making of Brainball.” INTERACTIONS-NEW YORK-: 26-34.
Hoban, P. (1999). Basquiat: A Quick Killing in Art. New York, Penguin Books.
Hobson, J. (2008). “Digital Whiteness, Primitive Blackness.” Feminist Media Studies 8(2): 111-126.
Hoffman, D., D. Tirthali, et al. (2009). Lyrical Trends in Hip-Hop: A New Visualization Tool to Promote Media Literacy. Proceedings of Society for Information Technology & Teacher Education. I. Gibson. Chesapeake, VA, AACE: 3410-3415.
Horton, R. (1997). Patterns of thought in Africa and the West: essays on magic, religion and science, Cambridge Univ Pr.
Hurston, Z. N. (1990). Mules and Men. New York, Harper Perennial.
Identities, A. (2009). “The genre of science fiction and the black imagination.” African Identities 7(2): 127-132.
Irele, A. (1994). “The Return of the Native: Edward Kamau Brathwaite’s Masks.” World Literature Today 68(4): 719-725.
Irele, A. (2001). The African imagination: literature in Africa & the Black diaspora, Oxford University Press, USA.
Isaacs, L. (1977). Darwin to double helix: the biological theme in science fiction, Butterworth-Heinemann.
Jafa, A. (1998). Black Visual Intonation. The Jazz Cadence of American Culture. R. G. O’Meally. New York, Columbia University Press: 264-268.
James, C. (1994). “The Unknown Text.” World Literature Today 68(4): 758-764.
James, R. (2009). “” Robo-Diva R&B”: Aesthetics, Politics, and Black Female Robots in Contemporary Popular Music.” Journal of Popular Music Studies 20(4): 402-423.
James, R., M. Huttunen, et al. (2007). “Deconstruction, Fetishism, and the Racial Contract: On the Politics of” Faking It” in Music.” CR: The New Centennial Review 7(1): 45-80.
Jameson, F. (1986). “Third-world literature in the era of multinational capitalism.” Social Text: 65-88.
Jcobs, N. (2003). Posthuman Bodies and Agency in Octavia Butler’s Xenogenesis. Dark Horizons: Science Fiction and the Dystopian Imagination. R. Bacolini and T. Moylan. New York, Routledge: 91-112.
Jenkins, L. (2007). “NewWorld/NewWord Style.” Contemporary Literature 48(1): 165.
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